Trade Union Movement
Seamen will boycott Dutch ships
David Gormley-…
Date
Source archive
1948 'SEAMEN WILL BOYCOTT DUTCH SHIPS', The Riverine Herald (Echuca, Vic. : Moama, NSW : 1869 - 1954; 1998 - 2002), 30 décembre, p. 2. , viewed 23 avr. 2026, http://nla.gov.au/nla.news-article116548312
Boycott on Dutch Ships
David Gormley-…
Date
Source archive
1948 'Boycott On Dutch Ships', Daily Examiner (Grafton, NSW : 1915 - 1954), 2 juillet, p. 1. , viewed 23 avr. 2026, http://nla.gov.au/nla.news-article194153382
Esperance Bay
David Gormley-…
Date
Source archive
1945 '1416 SAILED IN ESPERANCE BAY', The Courier-Mail (Brisbane, Qld. : 1933 - 1954), 17 octobre, p. 1. , viewed 02 juin 2026, http://nla.gov.au/nla.news-article50272444
Document topics
Black ban on dutch mercy ships
David Gormley-…
Date
Source archive
1945 '"BLACK" BAN ON DUTCH MERCY SHIPS', The Townsville Daily Bulletin (Qld. : 1907 - 1909 ; 1912 - 1966), 25 septembre, p. 1. , viewed 22 juil. 2026, http://nla.gov.au/nla.news-article62861408
Dutch Ships Again Black
David Gormley-…
Date
Source archive
1947 'DUTCH SHIPS AGAIN BLACK', The Courier-Mail (Brisbane, Qld. : 1933 - 1954), 22 juillet, p. 1. , viewed 22 juil. 2026, http://nla.gov.au/nla.news-article49329623
Black Armada by Rupert Lockwood
David Gormley-…
Date
Source archive
1976 'BLACK ARMADA by Rupert Lockwood (Australasian Book Society, 352 pp. Price: $7.95).', Tribune (Sydney, NSW : 1939 - 1991), 25 février, p. 10. , viewed 22 juil. 2026, http://nla.gov.au/nla.news-article236921192
An Attractive Naivety: Australia as a new nation in a complex world (Revised Edition)
An Attractive Naivety is a historical novel of war, identity, and endurance, set against Australia’s first half-century as a nation.
At the dawn of the twentieth century, Australia is newly federated – ambitious, proud, and unsure of itself. The novel traces that coming of age through the lives of ordinary people caught up in extraordinary events. From plague-stricken Sydney to the battlefield of Palestine, from the Cowra Breakout to the building of the Sydney Harbour Bridge, it follows the pressures that shaped both private lives and public myths.